AO PE DE MIM TEM UM VIZINHO AO PE DE MIM TEM UM VIZINHO QUE ENRICOU SEM TRABALHAR MEU PAI TRABALHO TANTO MAS NUNCA PODE ENRICAR NAO DEITAVA NUMA NOITE QUE DEIXASSE DE REZAR HA HA AGUA DE BEBER… Close to me there was a neighbour Close to me there was a neighbour that became [...] [...more]
BARRAVENTO VERBAL ANNOTATION: DOM DOM NNN (The NNN is when the pedra or dobrao is pressed against the wire but the vaqueta itself does not hit, it is in the act of pressing the dobrao on the wire that makes a note). Barravento is the state just before a candomble follower will be taken over [...] [...more]
THE TOQUE DE SAO BENTO GRANDE DE ANGOLA VERBAL ANNOTATION: TICH TICH, DIM, DOM, DOM The rhythm of sao bento grande is the most commonly used toque in the world. It is used in most contemporary rodas and also played on the viola in traditional angola rodas. It is NOT a traditional regional rhythm, and [...] [...more]
TOQUE DE SAO BENTO PEQUENO VERBAL ANNOTATION: TICH TICH, DIM, DOM, SHAKE This is a rhythm that is usually played as an accomplice to the other three berimbaus in the angola orchestra. It is usually played on the medio berimbau and used to compliment the sounds. It helps maintain the rhythm but also plays with [...] [...more]
TOQUE DE ANGOLA VERBAL ANNOTATION: TICH TICH, DOM, DIM, SHAKE The ‘toque de angola’ is one of the most common played toques. Just a couple of things to note: 1. when you have your dobrao or pedra pressed on the arame make sure that when you take it off you simultaneously hit the bottom note [...] [...more]
THE PANDEIRO IN CAPOEIRA PANDEIRO TIPS The first and second rhythm are the most common ways of playing the pandeiro in capoeira. The third rhythm is a basic rhythm some people use to teach beginners. It is also the traditional regional rhythm used and played in traditional regional rodas. Just a couple of things to [...] [...more]
The berimbau Rhythm-Iuna This Rhythm has been explained to me in many different ways by many teachers, and with various meanings.However, I am just going to say that in capoeira regional (in angola it is different), they use this for the jogo dos mestres e professores. [...more]
The Berimbau Rhythm-Banguela In capoeira Regional, they traditionally used this rhythm to slow down the capoeira game for practice purposes. This game was almost like a pseudo-capoeira angola game. [...more]
The berimbau Rhythm- Idalinha I am sorry, but I have not heard any kind of explanation for this rhythm other than it was just a rhythm that people liked to play, it was not used for any kind of purpose or intention. VERBAL ANNOTATION: TICH TICH DOM DOM DIM DOM DOM TICH TICH DIM TICH [...] [...more]
The Berimbau rhythm of Amazonas some people say that bimba developed it from when he went to the amazon and heard it from the native indians. However, Mestre Bimba never went to the Amazon. [...more]
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