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	<title>Soul Capoeira &#187; Regional Movements</title>
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		<title>CINTURA DESPREZADA &#8211; BALANCA DURADA</title>
		<link>http://soulcapoeira.org/soul-capoeira/cintura-desprezada-balanca-durada/</link>
		<comments>http://soulcapoeira.org/soul-capoeira/cintura-desprezada-balanca-durada/#comments</comments>
		<pubDate>Sun, 03 Feb 2008 12:05:58 +0000</pubDate>
		<dc:creator>chan</dc:creator>
				<category><![CDATA[ACMB]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Partner Work]]></category>
		<category><![CDATA[Regional Movements]]></category>
		<category><![CDATA[SOUL CAPOEIRA]]></category>
		<category><![CDATA[balanca durada]]></category>
		<category><![CDATA[cintura desprezada]]></category>
		<category><![CDATA[Mestre bimba]]></category>
		<category><![CDATA[sequences]]></category>
		<category><![CDATA[sequencias]]></category>

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		<description><![CDATA[
 MESTRE BIMBA&#8217;S ADVANCED SEQUENCES 
This is a clip of my mestre, mestre bamba and Instrutor Toinho doing the cintura desprezada.
There are a few variations you will see around the place, but these are the standard ones that are taught in the academy.
Cintura desprezada traditionally, was only taught to the formados or higher. It was [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://soulcapoeira.org/wp-content/uploads/2008/02/cintura.jpg" alt="cintura" /></p>
<h2> MESTRE BIMBA&#8217;S ADVANCED SEQUENCES </h2>
<p>This is a clip of my mestre, mestre bamba and Instrutor Toinho doing the cintura desprezada.<br />
There are a few variations you will see around the place, but these are the standard ones that are taught in the academy.<br />
Cintura desprezada traditionally, <span id="more-236"></span>was only taught to the formados or higher. It was traditionally used to help the capoeirista to understand how to get out of someone trying to throw you.<br />
(it was NOT used to teach people how to get them into holds).</p>
<p>The capoeira itself is free flowing, but it has set sequences that occur within the game.  This is like the advanced sequence of mestre bimba.  It was used to help the students learn how to fall well, as well as overcome fear in complex situations.</p>
<p>It is to the tune of Iuna. With only one berimbau and two pandeiros.</p>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>52 MOVEMENTS OF MESTRE BIMBA</title>
		<link>http://soulcapoeira.org/capoeira-regional/52-movements-of-mestre-bimba/</link>
		<comments>http://soulcapoeira.org/capoeira-regional/52-movements-of-mestre-bimba/#comments</comments>
		<pubDate>Mon, 21 Jan 2008 04:43:00 +0000</pubDate>
		<dc:creator>chan</dc:creator>
				<category><![CDATA[REGIONAL]]></category>
		<category><![CDATA[Regional Movements]]></category>
		<category><![CDATA[Mestre bimba]]></category>
		<category><![CDATA[Regional]]></category>
		<category><![CDATA[regional movements]]></category>

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		<description><![CDATA[
CAPOEIRA REGIONAL MOVEMENTS:
The capoeira regional movements are split into three categories:
basic, traumatic and take-downs.
BASIC:
1. AU
2. COCORINHA
3. GINGA
4. NEGATIVA
5. ROLE
TRAUMATIC:
6. ARMADA
7. ASFIXIANTE
8. BAU
9. BOCHECHO
10. CABECADA
11. CHIBATA
12. CHAPEU DE COURO
13. CALCANHEIRA
14. COTOVELADA
15. CHAVE
16. ESCORAO
17. ESPORAO
18. FORQUILHA
19. GALOPANTE
20. GODEME
21. JOELHADA
22. LEQUE
23. MARTELO
24. MORTAL
25. MEIA LUA DE COMPASSO
26. MEIA LUA DE FRENTE
27. PONTEIRA
28. PALMA
29. QUEIXADA
30. QUEDA DE RINS
31. SAPINHO
32. [...]]]></description>
			<content:encoded><![CDATA[<p><img src="http://soulcapoeira.org/wp-content/uploads/2008/01/bimba2.jpg" alt="mestre bimba" /></p>
<p><strong>CAPOEIRA REGIONAL MOVEMENTS:</strong></p>
<p>The capoeira regional movements are split into three categories:<br />
<strong>basic</strong>, <strong>traumatic</strong> and <strong>take-downs</strong>.<span id="more-205"></span></p>
<p><strong>BASIC:<br />
1. AU<br />
2. COCORINHA<br />
3. GINGA<br />
4. NEGATIVA<br />
5. ROLE</p>
<p>TRAUMATIC:<br />
6. ARMADA<br />
7. ASFIXIANTE<br />
8. BAU<br />
9. BOCHECHO<br />
10. CABECADA<br />
11. CHIBATA<br />
12. CHAPEU DE COURO<br />
13. CALCANHEIRA<br />
14. COTOVELADA<br />
15. CHAVE<br />
16. ESCORAO<br />
17. ESPORAO<br />
18. FORQUILHA<br />
19. GALOPANTE<br />
20. GODEME<br />
21. JOELHADA<br />
22. LEQUE<br />
23. MARTELO<br />
24. MORTAL<br />
25. MEIA LUA DE COMPASSO<br />
26. MEIA LUA DE FRENTE<br />
27. PONTEIRA<br />
28. PALMA<br />
29. QUEIXADA<br />
30. QUEDA DE RINS<br />
31. SAPINHO<br />
32. SUICIDIO<br />
33. TELEFONE<br />
34. VOO DE MORCEGO</p>
<p>TAKEDOWNS:<br />
35. APANHADA<br />
36. ARQUEADO<br />
37. ARRASTAO<br />
38. BAIANA<br />
39. BALAO DE LADO<br />
40. BALAO CINTURADO<br />
41. BANDA DE COSTAS<br />
42. BANDA TRACADA<br />
43. BENCAO<br />
44. CRUZ<br />
45. CRUCIFIXO<br />
46. CRUZILHA<br />
47. DENTINHO<br />
48. GRAVATA ALTA<br />
49. GRAVATA BAIXA<br />
50. RASTEIRA<br />
51. TESOURA<br />
52. VINGATIVA</strong></p>
<p>Many of these movements over time have lost relevance or have lost their meaning.  Many of the movements associated with these names have also been lost.  But I am sure there are some mestres who still remember which movements are which.<br />
Many of these movements were rarely used in the game of regional anyway.  It was mainly the movements from the 8 sequences that were mainly used. Mestre Itapoan said once when teaching a workshop that if you have learnt the sequences properly and understand them, you will be able to apply the movements and method to any roda from any style around the world.</p>
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